Contax Zeiss 28mm f2 Hollywood lens
Oct 22, 2022 14:29:06 GMT
on Oct 22, 2022 14:29:06 GMT
Posted: Oct 22, 2022 14:29:06 GMT
Hi folks,
Another trip to the blackberry bush with an old piece of glass, this time it was the 'Hollywood' Distagon i.e. the Zeiss 28mm f2 T* lens.
Zeiss 28 f2 wide_close
I hope this combined image helps you, if you're unfamiliar with the lens, to appreciate why it is so revered.
Both photos were taken this morning, despite the dull, wet and windy conditions, using a Fuji GFX 50S; they were shot from the same position at 1/250s, ISO800, and at f2 using Velvia film simulation. The images have been reduced by 40% to make them web-friendly.
Anyone unfamiliar with the Distagon could be forgiven for assuming that a macro-zoom was employed but these were both taken with this prime lens. The use of the floating element in its construction allows one to get within about 9 inches (22cm) of the object and take a perfect picture. It is a wonderfully versatile wide-angle lens.
Why Zeiss discontinued it so early in the development of the Contax system remains a mystery as it had garnered an enviable reputation before that start of the 1980s. Sadly, its comparative rarity has made it an expensive quest for many keen photographers and its keen following in the movie industry has not only given it its 'Hollywood' nickname but has further reduced the availability of used lenses.
And just to be awkward, when I die I'm taking all of mine with me...
Another trip to the blackberry bush with an old piece of glass, this time it was the 'Hollywood' Distagon i.e. the Zeiss 28mm f2 T* lens.
Zeiss 28 f2 wide_close
I hope this combined image helps you, if you're unfamiliar with the lens, to appreciate why it is so revered.
Both photos were taken this morning, despite the dull, wet and windy conditions, using a Fuji GFX 50S; they were shot from the same position at 1/250s, ISO800, and at f2 using Velvia film simulation. The images have been reduced by 40% to make them web-friendly.
Anyone unfamiliar with the Distagon could be forgiven for assuming that a macro-zoom was employed but these were both taken with this prime lens. The use of the floating element in its construction allows one to get within about 9 inches (22cm) of the object and take a perfect picture. It is a wonderfully versatile wide-angle lens.
Why Zeiss discontinued it so early in the development of the Contax system remains a mystery as it had garnered an enviable reputation before that start of the 1980s. Sadly, its comparative rarity has made it an expensive quest for many keen photographers and its keen following in the movie industry has not only given it its 'Hollywood' nickname but has further reduced the availability of used lenses.
And just to be awkward, when I die I'm taking all of mine with me...
